reading time
July 23, 2009
The Imposter by Damon Galgut
Reading is one of my favourite pastimes but this year I just don’t seem to find the time to read. Google “finding time to read” and you’ll find this is a pretty common modern dilemna. That elusive time issue.
In between teaching twice a week, going to class myself once a week, writing this blog whenever I can, cooking, washing, meditating at the end of the night and spending time with the girls I really don’t know how to make more time for reading. It makes me respect our President Zuma even more, he has to run a country and manage a polygamous relationship. Not that I don’t read. When I’m not roaming the backyard, I spend the day immersed in some sort of information processing activity on the flickering screen.
Reading books of course is a whole different world. You may have noticed that my “What I’m listening to” section changes a lot more regularly then the “What I’m reading”. This state of affairs was and still so afflicts me that I almost dropped out of the book club. Were it not for the wonderful company of the other members I might have very well have. It’s funny because last year at this time I was lamenting my lack of meditation practice and how I’d let my writing skills down. Reading for me is a way of being immersed in an artwork. Unlike my beautiful Clementina which I savour as I walk in the door, a book lasts the length of the time you read it. Everything else is an echo. In that time I can often feel my expression being moulded to the style of the writer and my awareness heightened by their subtle observations. A book literally gets under the skin!
What has recently replaced all this is going to book readings. I’ve only been to two so far. This week I was at Boekehuis for a reading and discussion by Damon Galgut of his book The Imposter. This is the best of both worlds, a little excerpt read by the writer, followed by an insight into their process. It’s wonderful. Blackie always insists that audio books are made wonderful by the beautiful reading of theatre hardened drama persona’s, but I disagree. They do play a hugely important role as storyteller but it’s the story for me. Perhaps it is because I can leap into my imagination from spoken word, not so much in poetry but in prose. So you can imagine a drama-trained author reading his work and responding to some pretty probing intellectual questioning. I don’t even know if I want to read the book, it may taint the echo of his words drawing pictures into himself.
"

